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Meanwhile, I met Devashree Shivadekar, my co-writer. My character represents all those people, but we’re all unique in our own way. Who are they? They are common people like us, they lead a common life. You look around and you’ll find a Madhura Sane everywhere. So Madhura Sane is based on a real person? While I had the idea at the back of my mind for a while, when the time came, I wrote the story which Madhuri eventually chose to make her debut in Marathi cinema. After reading that, I thought it would be interesting to write a story on it. A few years back, I read about an event in the news, it was small but significant. It’s not larger-than-life, it’s more slice-of-life. It’s so simple that anyone can identify with it. A common person in an uncommon situation, and how she evolves over the course of the story. The lead is your typical woman-next-door, someone you’d find walking down the road while you watch out from your balcony.
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It might sound narcissistic, but it’s really self-realisation. Apart from your priorities, you have to take time out for yourself. Here, I tell the story of people who have certain wishes, but lack motivation or are bound by their priorities to pursue them. It can be as simple as wanting to meet an old teacher again or as bizarre as building a time machine. The crux of the story is that everyone has unfulfilled wishes. How did you come up with it?īucket List is the story of every human being it just so happens that our lead is a woman. Only the medium changes between the two, but if you don’t know the craft, then it’s very difficult to write for films.īucket List seems like a simple story. I firmly believe that a director has to be a writer. The two most important disciplines of filmmaking are storytelling and writing. Having dabbled in editing, script-writing, directing and sound engineering, which department of filmmaking do you like the best? I have always loved reading and listening to stories, and eventually, that has made me tell stories. When my grandmother told stories, she didn’t have technology or equipment. Through them, I realised what storytelling can be and should be. My great grandparents, in whatever little time I had spent with them, would tell me interesting stories. Honestly, I just wanted to learn about media and technology, and when I look back at the various things I’ve done, I owe it to my upbringing and the fact that I was exposed to a variety of literature and was introduced to several stories since my childhood. I still don’t understand how I got sucked into this media field. It has been a roller-coaster of sorts, but I never felt I’d made a mistake. My education has helped me design better spaces and understand the ergonomics of other things.