![the jimi hendrix experience electric ladyland zip the jimi hendrix experience electric ladyland zip](https://i.ytimg.com/vi/IfpLKBbG6pQ/maxresdefault.jpg)
Though Powers is guilty of misusing a quote to justify her ludicrous argument, Waksman was right: Hendrix wanted to “enact his wildest fantasies of sound and. We mixed it and produced it and all that mess, but when it came time for them to press it, quite naturally they screwed it up, because they didn’t know what we wanted.'” Both The Beatles and Hendrix wanted to spend more time in the studio than on the road because that’s where they felt they could manifest their creativity to the max touring was a distraction, a break in the creative flow. ‘So some of the mix came out muddy - not exactly muddy but with too much bass. ‘ It’s very hard to concentrate on both,’ he lamented to Hullabaloo magazine, shortly after the album’s release. “ Pressured by Reprise for a finished product, he was forced to mix the record while out on tour with the Experience. The same was true with Hendrix, who had taken a more active role in production with Electric Ladyland and was very upset he wasn’t given the time to perfect the final mix. There was nothing “strange” about The Beatles deciding that touring was a drag, especially when they were highly motivated to redefine the limits of rock ‘n’ roll in the confines of Abbey Road Studios. tour, The Beatles’ performances became strangely lackluster.” The Beatles stopped touring because a.) they were tired of playing to audiences who couldn’t hear them and b.) they had expanded their musical palette and were unable to reproduce their new material in concert (the Candlestick concert setlist features a grand total of zero songs from Revolver, released just a few weeks before). Let me offer an analogous replacement: “Toward the end of their final U. “ Near the end of his life, Hendrix’s performances became strangely lackluster.” That is such a dumb fucking statement that I can hardly get my head around it.We all thought sex was a spiritual experience.īolstered by dad’s first-hand knowledge, I scoured Hendrix bios, online sources and common sense to confirm the scent of bovine manure in Ms. ME: Dad, towards the end of Jimi Hendrix’s career, did you have any trouble identifying with his polymorphous vision of lust and satiation as an aspect of a larger spiritual evolution?ĭAD: What? Hey, take it easy, Sunshine-I haven’t finished my coffee! (slurp, slurp) Say that again?ĭAD: Hold on. I asked him to pop over for breakfast one morning to talk Hendrix and here’s how the conversation went (more or less): I decided to check this out with my dad, a lifelong Hendrix fan who saw his famous performance at Monterey Pop and (lucky bastard) a gig at the old Fillmore Auditorium where he shared the bill with John Mayall. work to exert the greatest amount of control.” Realizing that his audience was having trouble identifying with his polymorphous vision of lust and satiation as an aspect of a larger spiritual evolution-a very science-fiction scenario, reflecting Hendrix’s immersion in that genre-he retreated more and more into his Electric Lady Studios, where he could, as the historian Steve Waksman has observed, “enact his wildest fantasies of sound, and. Near the end of his life, Hendrix’s performances became strangely lackluster. The gauge on my bullshit detector nearly exploded when I read the Jimi Hendrix segment in NPR music critic Ann Powers’ well-footnoted effort Good Booty: Love and Sex, Black and White, Body and Soul in American Music (one of the most sexless books I’ve ever read, BTW, but what do you expect from NPR?): The more academic types (or at least those who like to present themselves as academics) carefully compile page after page of footnotes, knowing that most readers will take their word for it that the citations are both valid and relevant.įortunately or not, I’m one of those people equipped with a bullshit detector, and when I smell bullshit, I dig deeper to find out where the bullshit is coming from. Some seem to be searching for a Grand Unified Theory linking music and culture while others want to inflate the significance of the music that mattered to them when they were growing up.
![the jimi hendrix experience electric ladyland zip the jimi hendrix experience electric ladyland zip](https://i.etsystatic.com/15564183/r/il/782669/2109335951/il_fullxfull.2109335951_8tkd.jpg)
One challenge I always run into when researching historical works like Electric Ladyland has to do with the plethora of music critics, philosophers, sociologists and musicologists who attempt to connect the music to larger socio-cultural trends.